Auguste Rodin und Madame Hanako. Der französische Bildhauer und die Emanzipationsgeschichte der japanischen Tänzerin

09/06/2016–18/09/2016

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1/2 Ausstellungsansichten, Fotos: Enric Duch

The Georg Kolbe Museum is presenting Auguste Rodin’s ‘Hanako’ cycle. The exhibition brings together around 50 original sculptures and drawings from the Musée Rodin in Paris, which are on display in Germany for the first time in this form. The exhibition also features a wealth of historical documents, correspondence and photographs.

Auguste Rodin (1840–1917) is regarded as the founder of modern sculpture, which focuses on the human body and its expressive power. Between 1907 and 1911, he created a series of expressive masks, portraits and busts modelled on Hanako.

Never before had Rodin portrayed one of his models so frequently. These delicate works of art tell the story of the inspiring encounter between the world-famous sculptor and the petite dancer, who toured throughout Europe for over a decade.

The exhibition thus reflects the astonishing story of a young Japanese woman’s emancipation in Europe. Coming from a rigid, distant society, she confidently sought her freedom at the beginning of the 20th century in the vibrant cities of the time: Paris, London, Moscow and Berlin.

With her dramatic stage performances, she captivated artists and intellectuals alike. The exhibition ‘Auguste Rodin and Madame Hanako’ at the reopened Georg Kolbe Museum offers an unusual perspective and the chance to rediscover one of the great figures of art history.

Curators of the exhibition: Dr Julia Wallner and Brygida Ochaim

A collaboration with the Musée Rodin. Under the patronage of the Embassy of Japan

Supported by: GASAG, RBB’s Kulturradio and the Friends of the Georg Kolbe Museum

SELECTED PRESS REVIEWS:
“The Georg Kolbe Museum in Neu-Westend is presenting fifty sculptures and drawings, as well as a wealth of historical documents in the form of programmes, posters, writings and, above all, photographs (those by Edward Steichen are particularly evocative!). It is hard to imagine a more beautiful, more atmospheric venue than this recently fully refurbished studio museum – the only one from the Weimar Republic – for the comeback of the Japanese stage star, who, after all, also celebrated triumphs of the Belle Époque in this very city. Georg Kolbe, who himself harboured a deep fascination for dance – a passion that in turn linked him to his great role model, Rodin – had, as early as 1909, whilst still a young, unknown sculptor, acquired a pale-coloured drawing by the master during a visit to Paris. This, too, is now on display and, together with Kolbe’s magnificent studies of Nijinsky and Rodin’s final tributes to Hanako, forms a rich, resonant German-French-Japanese harmony. Only Fauré’s ‘Requiem’ could sound more beautiful.”, in: Tilman Krause, Die Welt, 27 June 2016

“Around fifty sculptures and drawings from Rodin’s ‘Hanako Cycle’ are now on display, for the first time in Germany, at the newly renovated Georg Kolbe Museum in Berlin. The impressively presented exhibition also raises the question of whether the theatrical exorcism that fuelled the furore surrounding Hanako a good hundred years ago is truly a thing of the past.”, in: Dorion Weikmann, Süddeutsche Zeitung, 20 July 2016

“The exhibition in Kolbe’s studio house, which appears brighter and airier than ever before following the renovation, has no further images for this final chapter. But perhaps it is better to leave certain parts of a portrait in the dark.”, in: Andreas Kilb, Frankfurter Allgemeine Zeitung, 11 July 2016

“The museum reopened its doors in June following an eight-month renovation dedicated to Auguste Rodin and Madame Hanako, presenting various depictions of the globetrotting Japanese geisha Hanako and photographs of her and the sculptor by the likes of Edward Steichen. Although the exhibition is small, wall panels tell multi-layered stories of the artist and his muse, of formal perfectionism, and even of European Orientalism.”, in: Amanda Tugwell, Exberliner magazine, 7 August 2016

“The newly refurbished Kolbe Museum is dedicating its opening exhibition to this intense artistic relationship. (…) The refurbishment of the studio building allows his marvellous sculptures to shine even more brightly.”, in: C. von Duehren, BZ, 10 June 2016

“And so the Georg Kolbe Museum is celebrating its fresh start with an exhibition on Auguste Rodin (…) Rodin’s Hanako cycle is very rarely shown; in fact, it has never before been exhibited in Germany. With over 60 variations, it is one of the most important and largest series of works Rodin ever created. Around 50 original sculptures and drawings from the Musée Rodin can now be admired at the Georg Kolbe Museum”, in: ‘The Sculptor and His Dancer’, Angela Hohmann, Berliner Morgenpost, 13 June 2016

‘Now the little dancer is making another grand appearance in Berlin. (…) It’s not a bad idea to focus on the exchange of cultures to mark the reopening.’ in: Michael Bienert, Tagesspiegel, 9 June 2016

“And so, in this almost intimate reopening exhibition at Berlin’s Kolbe Museum in 2016, we experience Kolbe and Rodin as artists on the threshold of modern sculpture.”, in: Ingeborg Ruthe, Frankfurter Rundschau, 9 June 2016